This season, the runways helped us wrap our heads around what fashion and beauty might look like in a post-vaccine world. Above the neck, excitement towards the future was felt in an array of Sci-Fi-inflected looks, from Prada’s two-toned metallic lids to Ferragamo’s silver ombré pouts and full body paint jobs. Looking to the joys of the past, there was also the feel-good ’90s and Y2K redux, which hinged on rave-ready splashes, such as Matty Bovan’s Technicolor dye jobs and Eckhaus Latta’s glitter-washed cheeks. And marking the return of regular salon visits, there was a steady succession of sharp and shaggy geometric haircuts—including the ever-prevailing mullet.
Bold lips are also back in a big way, but with more playful and idiosyncratic twists, from Vivienne Westwood’s gilded lip liner to Dries Van Noten’s muted, soft-focus alternatives to a classic red lip. Still, even with restrictions loosening, the reality is that face masks will be a part of our lives for the foreseeable future. And for that, there was no shortage of eye-centric statements with designers like Victoria Beckham unveiling sooty, lived-in looks, while others—Dior, Erdem, and Givenchy among them—embraced drama by way of thick, precise lines. Here, Vogue charts the biggest beauty trends of the season.
The Sci-Fi Metallics
It all started at Ferragamo’s Sci-Fi-inspired show, where Fara Homidi created a throng of silver-trimmed ombré lips and painted model Sora Choi’s entire body in metallic silver. Furthering this futuristic theme at eye-level were the two-tone metallic lids at Prada and the “raw edge crystal eyes” at Coperni. As for lips bound for another galaxy, there were 3.1 Phillip Lim’s crystal-studded mouths and Nina Ricci’s metallic gold pouts. As we yearn for the future (and nights out on the town), a dose of metallic shine just feels right.
The Bad-Good Mullet
Lockdown saw many go for the ultimate bad-good haircut and the runways reacted accordingly, offering every kind of directional interpretation you can imagine. At Proenza Schouler, Ella Emhoff made her fashion week debut sporting a voluminous curly mullet, while at Tom Ford, a few models wore ’70s shags that recalled Jane Fonda in Klute. Across the pond, Simone Rocha put a Renaissance twist on the high-low style and then in Milan, Ferragamo and Sportmax presented sleek and choppy mullets. Trust us, if ever there was a time to take the plunge, it’s now.